Tuesday, 17 December 2024

The Subjective Economy and GasLighting: Algorithms, Perception, and Misinformation,













Gaslighting is when someone convinces you that what you see, you didn’t see; what you hear, you’re not hearing; what you feel, you don’t feel. At its core, it’s about convincing you that your reality is completely false. Gaslighting is a serious abuse tactic—a deliberate, manipulative, and destructive process that erodes a person’s sense of self-trust and leaves them questioning their own perceptions, memories, and even their sanity.

While we all unintentionally gaslight others from time to time, such as dismissing someone’s feelings or invalidating their experiences, intentional gaslighting is something entirely different. It’s a calculated tactic of control—designed to dominate someone’s mind, emotions, and actions. By chipping away at the victim’s confidence and forcing them to doubt their memory, judgment, and identity, the gaslighter creates a profound sense of confusion and isolation. This deliberate manipulation causes victims to lose trust in their instincts, leaving them even more vulnerable to further exploitation.

In today’s digital age, gaslighting has taken on new and insidious dimensions. Algorithms, platforms, and malicious actors exploit vast amounts of personal data—browsing histories, social media activity, and preferences—to manipulate users in ways that mimic gaslighting. Imagine encountering misinformation or targeted harassment online and trying to report it, only to find the platform itself reinforcing the narrative against you. Algorithms exploit your emotional triggers, either validating fears or perpetuating the idea that you’re imagining things. These systems can distort reality to the point where victims question not only their experiences but the very mechanisms through which they seek help.



This kind of digital gaslighting thrives on the faceless, anonymous nature of online interactions. Victims are often left battling nebulous forces: layers of algorithms, trolls, or AI-driven systems. The manipulated digital ecosystem creates an isolating feedback loop, where attempts to assert one’s reality are met with doubt, ridicule, or erasure. Such experiences profoundly affect mental health, leading to anxiety, depression, and self-blame. Victims may feel disconnected, questioning everything they once believed to be true, as the digital culture reinforces dominant narratives while burying dissenting voices.

Media professionals, who possess the skills and influence to shape public narratives, have also played a role in this landscape. Some use their platforms responsibly to inform and engage, but others have weaponized their craft to orchestrate online “pile-ons.” A pile-on involves targeting an individual or group, mobilizing followers, and intensifying harassment. By framing their attacks strategically and lending professional authority to their claims, these media figures amplify the aggression, often silencing dissent and reinforcing their own narratives.


One infamous example occurred in 2020 when a journalist with a large online following accused a private individual of spreading misinformation. The journalist’s followers joined the attack, leading to widespread harassment that included threats and doxxing. The individual was ultimately forced to deactivate their accounts, illustrating the devastating power of a pile-on led by someone with media expertise. Such tactics are not just harmful to the immediate target; they manipulate public perception, convincing onlookers that the victim is guilty of the accusations, even when evidence is scant or nonexistent.

Another example is the backlash against writer and public figure Lindsay Ellis in 2021. After a tweet about film analysis was misinterpreted by some as racially insensitive, a coordinated pile-on ensued. Ellis faced weeks of harassment, culminating in her decision to leave social media entirely. This incident highlights how media professionals, combined with emotionally charged digital audiences, can turn minor missteps into relentless campaigns of abuse, leaving victims with little recourse.

The effects of pile-ons are chilling. Victims face emotional exhaustion, anxiety, and the overwhelming challenge of countering distorted narratives. Observers, meanwhile, are often unwittingly drawn into these campaigns, manipulated by selective storytelling and emotionally charged rhetoric. This mirrors the psychological erosion of gaslighting, where the victim’s truth is systematically dismantled, and those around them are influenced to believe the gaslighter’s version of events.

Adding to the complexity of online manipulation is the behavior of organized troll groups, particularly those aligned with right-wing, anti-progressive ideologies. These groups often target progressive voices, women, and marginalized communities with coordinated harassment campaigns. By overwhelming their targets with hateful messages, false accusations, and deliberate misinterpretations, these trolls seek to silence dissent and maintain the status quo. The anonymity of the internet enables their campaigns, allowing them to mask their intentions as "debate" or "free speech" while engaging in calculated efforts to disrupt and disempower their targets.

Yet, not all manipulation of perception is harmful. In the world of contemporary art, for example, artists have long grappled with the tension between personal perception and the societal forces that shape it. Artists like Marcel Duchamp and Barbara Kruger have used their work to challenge and expand how we understand reality. Duchamp’s “Fountain,” a porcelain urinal signed “R. Mutt,” was not designed to destabilize its audience but to provoke reflection. It forced viewers to question what constitutes art and who decides its value. Similarly, Kruger’s “Your Body Is a Battleground” subverts familiar media formats to expose the ways in which gender roles, politics, and power structures are commodified and imposed. Their works do not aim to confuse or alienate but to empower viewers by encouraging critical engagement with the systems that shape our perceptions.

This artistic manipulation of perception stands in stark contrast to gaslighting. While gaslighting seeks to distort reality for control, art invites us to question the systems that govern our understanding of the world. Artists use their craft to illuminate hidden truths and empower individuals to see beyond surface realities. Unlike gaslighting, which isolates and disempowers, art fosters connection and critical thought.

The antidote to digital gaslighting and manipulation lies in awareness and agency. Recognizing these tactics—whether they manifest as personal abuse, algorithmic manipulation, or orchestrated pile-ons—is the first step toward resisting them. Digital literacy, critical thinking, and fostering supportive communities are essential in reclaiming control over our perceptions. As with artistic manipulation, the goal is not to destroy reality but to amplify it, enabling individuals to engage with the world more critically and authentically.

Ultimately, gaslighting—whether personal, digital, or systemic—is about power. It’s about controlling the narrative and keeping individuals in a state of dependency and doubt. Whether it happens in a close relationship, on social media, or through the faceless mechanisms of digital platforms, recognizing and challenging these manipulations is crucial to breaking free. Through self-awareness, support systems, and ethical use of media, we can reclaim our autonomy and foster a culture that prioritizes truth, empathy, and empowerment over control and distortion.


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